The cover of Diwan‑i Nasir, the first poetic work in Burushaski, honors devotional poetry through a minimalist design. Its title, debossed in gold from the author’s own handwriting, reflects traditional wisdom and the timeless nature of the verses. Light as a metaphor for visibility is illustrated by a single flame against a rich green tone. This reflects the soul’s journey from separation to reunion with its divine origin, evolving from spark to flame. The back introduces eight new letters created by the author to complete Burushaski’s phonetic system to fully represent this isolate language